Have you ever wondered why when you see your congressman or senator speaking on the floor of the House or Senate there is no one in the chamber to whom he is speaking except the people up front who are running and recording the session? The place is empty except for maybe the next person who is about to take the lectern to speak to no one. How could this be? The Senate is supposed to be the greatest deliberative body in the history of deliberative bodies yet there are no bodies evident in the deliberative body! The House is supposed to be the “people’s house” where the representatives are supposed to be the true voice of their very circumscribed constituencies, yet there is no one listening to the representatives’ voices. In fact, the only time that everybody shows up in his respective House and Senate chamber is when there is a vote to be taken on the bills that no one discussed in either of those chambers. Why is this? What is going on?

What is going on is whoever speaks on the floor of the House and Senate chambers is speaking to the Congressional Record, the journal of what is said on the floor of these chambers. These are the words that are to be recorded for the record, or history, or to satisfy the ego of the word’s speaker. Beside this some congressional speeches make it onto the cable news shows for the purpose of praise or ridicule by the hosts, or to be seen by the folks back home to make it look like the representative on the screen is representing the folks back home. What is going on is pure theatre. Nothing is debated, decided, or deduced in the congressional chambers. These ornate rooms are only there to provide a venue for the theatrics of their members and to be polling places where the bills are apparently voted up or down…apparently because the vote is taken long before the apparent vote on the floor. The vote in the chamber is just a formality…to be recorded in the Congressional Record of course.

So, if what we see going on in the House and Senate chambers is pure theatre, it is the most incredible theatrical art form in the history of theatrical art forms. All the actors who appear on the stage are reciting lines that suggest that they are representing people who voted for them to be in the play. All the lines that the actors recite proclaim that the actors are advocating for the best interests of the people who are supposed to have voted for them to be in the play. Amazingly, just about all of the actors aren’t particularly good at speechifying even though that is what they are solely required to do in the play. But really, talent doesn’t matter in this play because the only real audience is the stenographer who is typing out the script to appear in the Congressional Record…or whatever…in an otherwise empty theatre.

So, what makes this the most incredible theatrical art form in the history of theatrical art forms? It’s all about those very, very short acts interspersed into the play when all the actors show up at once on stage to cast votes. This is when the true acting occurs…the actors preen, they smile, they frown…they show real emotion as if what they are doing is before a real, live audience. What is really amazing though is that this is the one time that they are on stage that they are really playing to a live audience, but this audience is not in the theatre! There is no laughter or crying in the unseen audience, no applause from the unseen audience…but the unseen audience is always pleased wherever they are.

Who is producing this theatrical production, who is the director, who is the casting director, who are the writers, who are the editors, and most importantly, who are the backers…the investors who are looking to profit from this show? Who in the world would back a show that no one comes to see? There must be some other purpose to the show if it is incredibly expensive to put on but no one comes to see it. Even more amazing is that the show is the longest running show in the history of theatrical productions, and the backers keep coming to put more and more money into it to keep it going season after season even though it has never attracted an audience. It’s so amazing that it is the greatest show on earth!

So if it has no apparent audience, but it does have backers that love the show so much that they will put unlimited amounts of money into the show to keep it on stage year after year, what in creation is going on? You guessed it…it is of course the backers that is the delighted audience that gives invisible standing ovations when the actors cast their votes on the grand stage that is the U. S. Congress.

Who are the backers and what is their return on investment? Let’s see, what could they possibly get from a play in which the actors play the parts of representatives in the House and senators in the Senate, but the theatre is actually the real U. S. House of Representatives and the real U. S. Senate of the legislative branch of the federal government of the United States of America? Even though they are just actors, they are casting real votes to pass real legislation in the Congress of the United States of America. So, what does this do for the backers who are most importantly telling the script writers exactly what the actors are supposed to say and do?

It’s really pretty simple. The backers can get all the money and power their little hearts could ever desire! Absolute, tyrannical power over the American people plus all of the money they can steal from the American people through a slave/tax system, plus all of the money they can spend putting the American people into unimaginable debt that they could never pay off, plus all the money they can print on the government/central bank printing presses. Do you know what else the backers get to do? They get to play real life video games where they get to kill off the American people and replace them with alien invaders from around the world…all for unlimited power and money.

So who are the show’s backers? They are the Intelligence state, the military/industrial complex, the big banks and the private corporate and financial state, the central banks, big pharma, international drug and human trafficking cartels, and the globalists all collaborating to produce the show put on year after year in the Congress of the United States… the greatest show on earth. These are the people who through grand payoffs and blackmail make sure that the actors who purport to represent the American people never vary from the script that is put in front of them by the script writers. This is why legislation is known as “an act of Congress.” It’s all an act done by actors who represent the play’s backers and real audience, rather than the people who were supposed to have voted the actors to be their representatives.

The play is a tragedy.

MAX